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It isn't vital that one has any special knowledge of De Mille before watching The Ten Commandments, but it's worth noting that De Mille was an iconic figure at the time of the film's release, and the moviegoing public would've been generally familiar with his views from his days as a highly-rated radio personality. His fans may even have seen the purchase of a ticket as driving another nail in the coffin of communism, given that De Mille, like Leo McCarey, felt religion was the surest antidote to the Red Menace. How did they square this with the picture's villainizing of capitalistic excess and Moses's push for labour reform How did De Mille The Ten Commandments goes beyond the usual paradox of expensive films that condemn greed in that De Mille, as he says in his intro, had to search beyond his primary source material (the Old Testament) to flesh out these early scenes of Moses as a disillusioned Prince of Egypt, first saving his birth mother, Yochabel (Martha Scott), from becoming literal grease for the wheels of enterprise, then calling for a strike when the Hebrew slaves are expected to continue to erect buildings without the straw they use to make bricks, then humbling himself to slavery after learning of his Hebrew ancestry. Despite introducing adult Moses as the betrothed of an Ethiopian princess played by African-American actress Esther Brown, The Ten Commandments embarrassingly sees white actors oppressing other white actors in brownface as if the needle hadn't moved at all since D.W. Griffith. And yet and yet--the picture is appallingly relevant in this shameful era of Amazon drivers relieving themselves in plastic cups, and far more progressive than any of the current cinema calling itself \"faith-based,\" which is more interested in scaring people straight than in modelling a righteous path. 59ce067264